We got into the studio and there were three work shop stations; a green screen, cave set and bed sit. The cave set used a tracking shot and spider dolly while the other sets used a standard tripod to get the still shots.
THE GREEN SCREEN:
The green screen allowed an image of background set to be edited onto it in post production. The green colour allows there to be the cleanest possible image.
THE CAVE SET (WORKING WITH THE SPIDER DOLLY):
This set was so that we could use the spider dolly and see how it worked. Also creating a smooth tracking shot. When doing this shot it found it was important to leave moving space in the direction of the moving person. We also found it was important to make sure the wire was straight so that the camera did not jult.
BED
With all of these sets we were able to create something new every time. This made it interesting when we came to editing it together.
EDITING & LIP SINKING:
We then went up to the editing sweat and learnt how to sink the music in time with the footage we had recorded. First we put in the audio. Then choosing the clip we wanted to place this with we used the three beats to count in the begging to sink it up with the music. This made sure that peoples mouth were moving in time with the music. We then used the blade tool to cut and edit the footage other in time with the music. We did this in final cut pro. We did this activity quite quickly and ruffly as we already had the basis of using final cut pro from our thriller task in AS. This part of the task was to enable us to understand how to lip sink and sink the footage with the music to make it look convincingly. I learnt from this that there is no such think as bad lip sinking in the editing side of things just someone not lip sinking convincingly enough.
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